A Whiter Shade of Pale – Procol Harum (1967)

Description

Additional information about this, Procol Harum vinyl art.

Procol Harum – The Artist/s

Procol Harum were an English rock band formed in 1967. Their best-known recording is the 1967 hit single “A Whiter Shade of Pale”, one of the few singles to have sold over 10 million copies. Although noted for their baroque and classical influence, Procol Harum’s music is described as psychedelic rock and proto-prog with hints of the blues, R&B, and soul. In April 1967, Brooker began working as a singer-songwriter and formed Procol Harum with Keith Reid, Hammond organist Matthew Fisher, guitarist Ray Royer and bassist David Knights. Guy Stevens became their manager, and named the band after a Burmese cat, which had been bred by Eleonore Vogt-Chapman and belonged to Liz Coombes. The cat’s “cat fancy” name was Procul Harum, Procul being the breeder’s prefix.

A Whiter Shade of Pale – The Song

“A Whiter Shade of Pale” is a song by the English rock band Procol Harum that was issued as their debut record on 12 May 1967. The single reached number 1 in the UK Singles Chart on 8 June and stayed there for six weeks. One of the anthems of the 1967 Summer of Love, it is one of the most commercially successful singles in history, having sold more than 10 million copies worldwide. In the years since, “A Whiter Shade of Pale” has become an enduring classic, with more than 1000 known cover versions by other artists. Keith Reid got the title and starting point for the song at a party. He overheard someone at the party saying to a woman, “You’ve turned a whiter shade of pale”, and the phrase stuck in his mind. The original lyrics had four verses, of which only two are heard on the original recording. The third verse has been heard in live performances by Procol Harum, and more seldom the fourth. Claes Johansen, in his book Procol Harum: Beyond the Pale, suggests that the song “deals in metaphorical form with a male/female relationship which after some negotiation ends in a sexual act”. This is supported by Tim de Lisle in Lives of the Great Songs, who remarks that the lyrics concern a drunken seduction, which is described through references to sex as a form of travel, usually nautical, using mythical and literary journeys.

The Couple – The Shape

This record has been modelled into a silhouette of couple.

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