Israelites – Desmond Dekker and the Aces  (1968)

Description

Additional information about this, Desmond Dekker and the Aces  vinyl art.

Desmond Dekker and the Aces – The Artist/s

Desmond Dekker (born Desmond Adolphus Dacres; 1941 – 2006)[1] was a Jamaican ska, rocksteady and reggae singer-songwriter and musician. Together with his backing group the Aces (consisting of Wilson James and Easton Barrington Howard), he had one of the earliest international reggae hits with “Israelites” (1968). Other hits include “007 (Shanty Town)” (1967), “It Mek” (1969) and “You Can Get It If You Really Want” (1970).

Israelites – The Song

Israelites is a song written by Desmond Dekker and Leslie Kong for their group, Desmond Dekker & the Aces, which reached the top of the charts in numerous countries in 1969. Sung in Jamaican Patois, some of the song’s lyrics were not readily understood by many British and American listeners at the time of its release. Despite this, the single was the first UK reggae #1 and among the first to reach the US top ten. It combined the Rastafarian religion with rude boy concerns, to make what has been described by Allmusic as a “timeless masterpiece that knew no boundaries”. Originally issued in Jamaica as “Poor Me Israelites”, it remains the best known Jamaican reggae hit to reach the United States Hot 100’s top 10, and was written almost two years after Dekker first made his mark with the rude boy song “007 (Shanty Town)”. Dekker composed the song after overhearing an argument: “I was walking in the park, eating popcorn. I heard a couple arguing about money. She was saying she needs money and he was saying the work he was doing was not giving him enough. I related to those things and began to sing a little song: ‘You get up in the morning and you’re slaving for bread.’ By the time I got home, it was complete.” The title has been the source of speculation, but most settle on the Rastafarian Movement’s association with the Twelve Tribes of Israel. In the 1960s, Jamaican Rastafarians were largely marginalised as “cultish” and ostracised from the larger society, including by the more conservative Christian church in Kingston. Destitute (“slaving for bread”) and unkempt (“Shirt dem a-tear up, trousers a-gone”), some Rastafarians were tempted to a life of crime (“I don’t want to end up like Bonnie and Clyde”). The song is a lament of this condition.

Moses – The Shape

This record had been modelled into moses carrying th eten comandments carved instone.  In Abrahamic religions, Moses[ was the Hebrew prophet who led the Israelites out of slavery in the Exodus from Egypt. He is considered the most important prophet in Judaism and Samaritanism, and one of the most important prophets in Christianity, Islam, the Baháʼí Faith, and other Abrahamic religions. According to both the Bible and the Quran, God dictated the Mosaic Law to Moses, which he wrote down in the five books of the Torah.

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